Paintin', Paintin', Paintin'. . .

Must retouch the shoulder belts I notice. This is what happens when you have three or four different bottles of 'Leather Brown' from different manufacturers and neglect to record which was used for the initial coat. Grrr.

Keep those brushes paintin'. Rawhide! Or something to that effect.

The 14 Eureka Saxon cuirassiers, taking shape as a squadron of the von Polenz, ca. 1733, are coming along slowly but surely. Here's where things stand as the (Sunday) morning of July 6th. Gotta finish highlighting the reds with Vallejo 'Flat Red' after the Army Painter red wash applied yesterday (Saturday) along with the off white wigs and queues. And the mustaches of course.

Following that, the most pressing and tedious task is the carbines slung upside down, which need their barrels, firelocks, and at least some of the more visible brass metal work seen to after that. And then possibly the sword blades and scabbards Things will then get a bit easier. He said. . .

It's an odd thing when you try to squeeze in a bit of painting on a more or less daily basis. Typically burst of 45 to 60 minutes or so. Maybe even a couple of sessions during the better days.

For a long time, there seems to be very little progress from one session to the next. But suddenly, you reach a point where everything begins to come together and light appears at the end of the painting tunnel.

"The light! The light! Come to the light!"

Or something like that.

-- Stokes

And We're Off!!!

Arrrgh! Gotta go back into camera settings on my iPhone to bring all of the frame into focus. Blast! Painting is underway on the 60 or so Minden Austrians, which are slated to become my version of the Anhalt-Zerbst Regiment of AWI renown. More or less indistinguishable from Austrians of the era really, right down to the red facings and turnbacks, but the eventual flags (already in my files) will set them apart. I went ahead and based-coated all of them over a couple of days lthe last week of August, using a mix of light gray and white acrylic gesso, before next applying my usual basic alkyd oil flesh tone to the faces and hands. In a day or two, I'll hit that with Army Painter Flesh Wash to tone things down a bit and bring some definition to the faces and hands. As usual, the plan is to focus on about 20 figures at a time, splitting the regiment roughly into thirds along with the color party and regimental staff. Depending on ...

Sunday Morning Coffee with AI. . .

A rmed with a second cup of fresh, strong coffee, I messed around a bit this morning with artlist.io using its image to image function in an attempt to convert my hand-drawn map from September 2006 to something that more resembles an old map from the mid-18th century. And just like my experiments with Ninja AI in June, the results are mixed. The above map is pretty good, but Artlist keeps fouling up the place names and has trouble putting a faint overlay of hexes across the entire area. Hexes, admittedly, are not likely to be found on any genuine maps from the era in question, but there we are. Frankly, I prefer the appearance of the Ninja map, but there were problems getting it to correct its errors. Grrrr. As is the case with so much having to do with the various AI's out there now, the output generated is a direct result of the prompts entered. For text alone, and when you develop a lengthy, highly detailed prompt, it is...

Continued Regional Map Revisions. . .

F ooled around a bit more with the revised map just before and after dinner this evening, using the Fotor app to reinsert missing text . I also removed a few other things using the 'Magic Eraser' function, which works surprisingly well. Now, we're getting somewhere. I just have to figure out how to ensure that the text is all a uniform font style and maybe figure out a way to add a few bunches of trees to suggest forested areas, Ninja AI is not always entirely cooperative to the tune of "I'm sorry Dave. I can't do that." -- Stokes

The Grand Duchy of Stollen

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