T his weekend, the question of what, precisely, constitutes an "imagination" came up in an online forum of which I am a part. To be fair, the issue originates from further afield in a Facebook group that I am not a member of, but I weighed in with my own view. The following was in response to the question posed yesterday (Sunday) morning by an exasperated member of my own rather more gentlemanly town square, who had been met with a strident response to information he shared about his (admirable) hobby activities on said FB group. Here is, more or less, what I wrote: To my mind, the concept of imagi-nation(s) is a broad one. It can range from historical refights or what-if scenarios/battles/campaigns between armies of a particular era, to completely made up combatants operating in a quasi-historical setting, to the rather generic red and blue forces of the Prussian Kriegspiel that examine a particular tactical problem, task, or exercise. And then there are near
An lovely alternate view that shows the Holsten Bridge, Holsten Gate, and the salt warehouses at left, which housed various retail clothing stores when I last visited with the Grand Duchess in 2009. The Holsten Bridge, ca. 1800. A fter several months away from hobby activities -- The spring and summer simply got away from me. -- I finally purchased a package of 10 small sheets of foamcore craftboard from our old friends at Amazon. The aim is to construct a bridge based on the old illustrations above, the Holsten Bridge across the River Trave into the old city center of Hansestadt Lübeck in northern Germany. Probably my favorite place in that country. . . although Bremen and Hamburg are close seconds. I've always felt very at home in these cities for some odd reason. But I digress! Let's talk model bridges. I find that many commercially available model/toy bridges have too much extreme swoop, or arch to them, sitting like odd warts atop the table. I understand why