T he basic fleshtone, Winsor-Newton Griffin Alkyd Oil (dries in 24 hours), has been applied. I'll tone this down later with my usual Army Painter fleshwash, which settles nicely into the eye sockets plus other facial and hand details, making everything a bit less peachy-orange and more akin to what your skin might look like after several weeks of living rough exposed to sun, wind, and probably not washed very often. For now, there are a few remaining nooks and crannies that the gray basecoat managed to avoid, so some quick touch-ups are in order. And then, it's onwards to the basic horseflesh. Mostly chestnuts in a couple of lighter browns planned with a couple of darker bays and , of course, a grey of some kind for the trumpeter. I've decided to experiment with speed and contrast paints after watching several Youtube videos from Culloden Painting Studio , of whom I've spoken before. En avant mes amis ! -- Stokes
Time to get down to the actual application of paint now I think. F inally managed to finish applying the gray basecoat to the first squadron of 14 Austrian hussars and Ndasdy there at the back corner, who seems to be looking for his errant trumpeter. That took longer than usual, despite use of a #10 round brush, thanks to all of the nooks and crannies on these figures. Although I have attempted use of spray primers in the distant past, good coverage always seemed to be an issue, so I have continued for most of my 40+ years behind the brush to tackle the important basecoating step with that most useful of tools. . . a paintbrush. As usual, my preferred basecoat is an inexact mix of white acrylic gesso and acrylic craft paint, 'Quaker Gray' by Cermacoat. But I finally wised up a little bit. The bottle of the latter was, after many years of use, about a third full. It dawned on me that I could simplify things a bit and also ensure consistency by squeezi...