Skip to main content

And We're Off!!!

 

Arrrgh!  Gotta go back into camera settings on my iPhone to bring all of the frame into focus.  Blast!

Painting is underway on the 60 or so Minden Austrians, which are slated to become my version of the Anhalt-Zerbst Regiment of AWI renown.  More or less indistinguishable from Austrians of the era really, right down to the red facings and turnbacks, but the eventual flags (already in my files) will set them apart.  

I went ahead and based-coated all of them over a couple of days lthe last week of August, using a mix of light gray and white acrylic gesso, before next applying my usual basic alkyd oil flesh tone to the faces and hands.  In a day or two, I'll hit that with Army Painter Flesh Wash to tone things down a bit and bring some definition to the faces and hands.  

As usual, the plan is to focus on about 20 figures at a time, splitting the regiment roughly into thirds along with the color party and regimental staff.  Depending on how things go, I might jump ahead to the next batch in the queue to tackle larger and easier areas before bouncing to take care of more detailed bits as the mood strikes me.  We'll see.  Sometimes, and despite best intentions, one needs a mental break from the attending to the tiny details.  Larger, relatively mindless areas of the figures provide a chance to catch one's mental breath while still moving forward with the project.

Now, the eagle-eyed among you will note that a few figures remain in their natural metal state.  That is simply because I have yet to drill out their hands for pole arms and flagpoles.  But given their small number, it will be relatively easy to base coat these figures once that step has been addressed and catch 'em up to the rest of the unit.  

And as a final caveat, based on a mistake I am really too old to have made, use brushes with good points!  After painting the flesh tone yesterday, I stupidly grabbed a cheap brush to paint the black items late in the evening.  While painting the hats around the faces, flecks on black from stray bristles got all over the foreheads and cheeks on several figures.  What was I thinking?

Turns out, I wasn't. 

I should have stopped immediately and switched to one of my Winsor&Newton Series 7 brushes at that point.  But do you think I did?  Oh, no.  I foolishly forged ahead continuing and compounding the problem several times over.  Which means that today, September 1st, I'll need to redo the faces of several figures before moving onto the next step.  Grrrrr.

The phrase 'ass backwards' keeps going through my mind this morning.

And the morale of the story?  Well, there are probably several.  But always, always, always use good quality brushes with good points for everything other than base coats and varnishing.  Oh.  And even experienced painters can make mistakes.  The clouds of quietly muttered blue language from last night are still hanging in the air this morning here and there in Zum Stollenkeller.  Kids, don't try this at home.  

Stay tuned!

-- Stokes 

Comments

Andy McMaster said…
Good to see a nice big unit under way. I've never used gesso. Occasionally ponder giving it a try. Black though for me...
pancerni said…
Is that what you meant by " restarting the f stop ?"
pancerni said…
Is that what you meant by " restarting the f stop ?"
caveadsum1471 said…
Nice large unit, I tend to use cheap brushes often, sometimes without a point, occasionaly I reward myself with a sable, when there is fine detail to be had!
Best Iain
Jiminho said…
I am sure these will earn a place of distinction on your table. One advantage of age, ... er experience, is weakened eyesight which filters out stray black paint splotches, at least around here. I have just looked at your map published this summer. I'm very impressed, both for the tint and the added details that give a period feel and the lack of details within the GD of S, which invite the imagination. Bes,t Jim
rhingley said…
Impressive start of a project.

Popular posts from this blog

The 18th century? What's the Fascination?

Hessian musketeers by All the King's Men Toy Soldiers of Snellville, Georgia, U.S.A. Just a quick post post today, but I thought the above question might be interesting food for thought. Obviously, there is an array of possible periods, theaters, and conflicts that might catch our eyes. But what is it about the era 1700-1799 -- either real, or imagined? Is it the commanders and politics? The fairly straightforward tactics? The myriad of uniforms and flags? The variety and scope of the conflicts? The patchwork of various and sundry petty states, (at least in Central Europe)? I'm very interested to learn your thoughts. Don't be a lurker! Please leave a comment -- or even two or three. Have a nice day everyone!

Sunday Morning Coffee with AI. . .

    A rmed with a second cup of fresh, strong coffee, I messed around a bit this morning with artlist.io using its image to image function in an attempt to convert my hand-drawn map from September 2006 to something that more resembles an old map from the mid-18th century.  And just like my experiments with Ninja AI in June, the results are mixed.   The above map is pretty good, but Artlist keeps fouling up the place names and has trouble putting a faint overlay of hexes across the entire area.  Hexes, admittedly, are not likely to be found on any genuine maps from the era in question, but there we are.  Frankly, I prefer the appearance of the Ninja map, but there were problems getting it to correct its errors.  Grrrr.  As is the case with so much having to do with the various AI's out there now, the output generated is a direct result of the prompts entered.  For text alone, and when you develop a lengthy, highly detailed prompt, it is...