Photo Experimentation. . .

They might be giants. . . Another shot of the same vignette, this time against a neutral background in the lightbox.

Goofing around this morning with the camera timer and lightbox. Here are the particulars:

* Distance between Sony Cyber-shot TX20 camera and subject -- slightly over 8" or 20.5cm.
* Camera flipped automatically into the macro setting.
* Tripod used.
* Self-timer set for 10 seconds. . . Look Mom, no hands!
* No flash. Indirect, diffused lighting came from three different lamps each with 100watt "daylight" corkscrew bulb. One aimed at the top of the lightbox, and two aimed at either side of the light box. No lights were aimed directly onto the figures.
* Five slightly different pictures were taken. This one was the best as far as the position of the base and both figures goes.

In Photoshop Elements 9, I pasted in the picture and first cropped it way, way down from the original size, and then used in turn the following bits of editing magic: 1) Select > All, 2) Auto Smart Fix, 3) Adjust Color > Remove Color Cast, and 4) Auto Sharpen. I finally saved it again onto my computer desktop as a jpeg file. The original unedited photograph has also been saved.

Later, today, time permitting since we are headed out tobogganing and then to a cafe for warm beverages afterwards, I'll try the same photo with 9"/approx. 23cm and 10"/approx. 25.5cm between the camera and subject, to find that sweet spot as suggested some weeks ago by Der Alte Fritz. Be sure to check back later.

This evening, it's back to the painting table for a while to start either on those Fife&Drum 4-pounder Swedish cannons that have been cluttering the painting table for eons, or maybe I'll start on the next two-figure vignette.

-- Stokes

Here's an RSM Painting Update

Here's a picture illustrating my (S-L-O-W) progress with the second company of Stollen's Leib (Grand Duchess Sonja's Own) Grenadiers. You can see I'm doing things a bit differently this time, altering the painting process to keep it interesting basically. This evening, I'll do the white gaiters and, if that goes reasonably quickly, and time allows, the red breeches. Still lots to do, but I like the way these fine fellows are shaping up along side the completed 1st company that's standing in formation just off camera, to the left here. Until tonight then!

Presenting the Anspach-Bayreuth Kuirassiere!!!

Here they are, with the rearmost nine figures still drying, three squadrons of the Anspach-Bayreuth Kuirassiere, now in the service of the Grand Duchy of Stollen. And now, it's onto that artillery!

Having a "No Day". . .

F or the almost 20 years that she lived in Mexico, one of my late mother's Irish friends frequently mentioned having a "No Day." A day with no social obligations, chores, tasks, or other work that interfered with whatever personal interests took one's fancy on the day in question. Since today -- a gray and chilly Saturday -- is Mom's birthday, the Grand Duchess is out with friends, and the Young Master is ensconced on the sofa in the TV room with a cold, yours truly is taking his own such No Day. I think Mom would approve of my decision to make the world go away, as the old Eddie Arnold song intoned, even if only for a little while. So, I will spend Saturday afternoon focused on that first squadron and small regimental staff of Eureka Saxon cuirassiers. These have stood waiting untouched over on the painting table for almost three weeks while we skied and otherwise gadded about with snowy, winter outdoor activities. I hope to share a painting update Sunday...

The Grand Duchy of Stollen

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