Skip to main content

Freshly Varnished Fusiliers. . .

Here's the freshly varnished third company of von Flickenhoffer's (du Lepp's) Fusiliers, drying and just about ready to be carefully removed from the bottle caps and placed on the table in the next room of Zum Stollenkeller. Now it's onto a general/ADC pair, to be followed by the fourth and final company of this monstrous unit of RSM fusiliers.

Word reached Stagonia's General Drednoz late this evening that a third company of the du Lepp's Fusiliers will reach his position late tomorrow, meaning that he can begin his attack on Saegewerkdorf and its nearby sawmill.

Fortunately, this news comes just in time as an undependable company of allied infantry defected to the Stollenian side early this morning! This latest treacherous development means that both armies are more or less on equal footing with their infantry and artillery. Stagonia's only appreciable advantage would seem to be in the area of cavalry.

When informed that he now had some additional troops at his disposal, Stollen's General von Drosselmaier put down his spoon, carefully dabbed at a fleck of softboiled egg yolk on his lower lip, and replied, "Ah! At last, some of those troops on the other side have seen reason! Now maybe we can get this battle underway and expel those vile fellows from the Grand Duchy."

Comments

A J said…
May fortune favor Stollenian arms!
littlejohn said…
Sharp looking fellows!

Popular posts from this blog

And We're Off!!!

  Arrrgh!  Gotta go back into camera settings on my iPhone to bring all of the frame into focus.  Blast! Painting is underway on the 60 or so Minden Austrians, which are slated to become my version of the Anhalt-Zerbst Regiment of AWI renown.  More or less indistinguishable from Austrians of the era really, right down to the red facings and turnbacks, but the eventual flags (already in my files) will set them apart.   I went ahead and based-coated all of them over a couple of days lthe last week of August, using a mix of light gray and white acrylic gesso, before next applying my usual basic alkyd oil flesh tone to the faces and hands.  In a day or two, I'll hit that with Army Painter Flesh Wash to tone things down a bit and bring some definition to the faces and hands.   As usual, the plan is to focus on about 20 figures at a time, splitting the regiment roughly into thirds along with the color party and regimental staff.  Depending on ...

The 18th century? What's the Fascination?

Hessian musketeers by All the King's Men Toy Soldiers of Snellville, Georgia, U.S.A. Just a quick post post today, but I thought the above question might be interesting food for thought. Obviously, there is an array of possible periods, theaters, and conflicts that might catch our eyes. But what is it about the era 1700-1799 -- either real, or imagined? Is it the commanders and politics? The fairly straightforward tactics? The myriad of uniforms and flags? The variety and scope of the conflicts? The patchwork of various and sundry petty states, (at least in Central Europe)? I'm very interested to learn your thoughts. Don't be a lurker! Please leave a comment -- or even two or three. Have a nice day everyone!

Sunday Morning Coffee with AI. . .

    A rmed with a second cup of fresh, strong coffee, I messed around a bit this morning with artlist.io using its image to image function in an attempt to convert my hand-drawn map from September 2006 to something that more resembles an old map from the mid-18th century.  And just like my experiments with Ninja AI in June, the results are mixed.   The above map is pretty good, but Artlist keeps fouling up the place names and has trouble putting a faint overlay of hexes across the entire area.  Hexes, admittedly, are not likely to be found on any genuine maps from the era in question, but there we are.  Frankly, I prefer the appearance of the Ninja map, but there were problems getting it to correct its errors.  Grrrr.  As is the case with so much having to do with the various AI's out there now, the output generated is a direct result of the prompts entered.  For text alone, and when you develop a lengthy, highly detailed prompt, it is...