Basic Horseflesh. . .

A thin glaze of the alkyd oil Ivory Black over a medium-dark gray acrylic undercoat yields a pleasing basic black horse which can then be tailored by the random addition of white markings, hooves, and the occasional flesh-colored nose or lips.

After a few evenings off doing other things, I buckled down and spent two sessions yesterday afternoon and again in the evening applying a glaze of Winsor & Newton alkyd oil Ivory Black to the rest of the horses in the second squadron with the exception of the trumpeter's horse, which will get a lighter treatment with some additional dappling if I can pull it off. Need to think about how to do that though.

This morning early when I stole down here to Zum Stollenkeller Mk. II with that first mug of coffee before anyone else was up, the air was faintly redolent with the aroma of oils. Ahhhh. Not everyone's cup of tea, of course, but to me, this is one of the most pleasant side effects of using this particular medium to paint figures.

This evening, besides applying black to the boots and bearskins of the humans, I'll apply some antique white acrylic to the trumpeter's horse and then see where things stand with that. Afterwards, for the next few evenings, I'll work on the horses and get those more of less finished before turning my attention back to the horse grenadiers themselves. The new semester begins three weeks from yesterday (Wednesday), so time is of the essence!

-- Stokes

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And We're Off!!!

Arrrgh! Gotta go back into camera settings on my iPhone to bring all of the frame into focus. Blast! Painting is underway on the 60 or so Minden Austrians, which are slated to become my version of the Anhalt-Zerbst Regiment of AWI renown. More or less indistinguishable from Austrians of the era really, right down to the red facings and turnbacks, but the eventual flags (already in my files) will set them apart. I went ahead and based-coated all of them over a couple of days lthe last week of August, using a mix of light gray and white acrylic gesso, before next applying my usual basic alkyd oil flesh tone to the faces and hands. In a day or two, I'll hit that with Army Painter Flesh Wash to tone things down a bit and bring some definition to the faces and hands. As usual, the plan is to focus on about 20 figures at a time, splitting the regiment roughly into thirds along with the color party and regimental staff. Depending on ...

Sunday Morning Coffee with AI. . .

A rmed with a second cup of fresh, strong coffee, I messed around a bit this morning with artlist.io using its image to image function in an attempt to convert my hand-drawn map from September 2006 to something that more resembles an old map from the mid-18th century. And just like my experiments with Ninja AI in June, the results are mixed. The above map is pretty good, but Artlist keeps fouling up the place names and has trouble putting a faint overlay of hexes across the entire area. Hexes, admittedly, are not likely to be found on any genuine maps from the era in question, but there we are. Frankly, I prefer the appearance of the Ninja map, but there were problems getting it to correct its errors. Grrrr. As is the case with so much having to do with the various AI's out there now, the output generated is a direct result of the prompts entered. For text alone, and when you develop a lengthy, highly detailed prompt, it is...

Continued Regional Map Revisions. . .

F ooled around a bit more with the revised map just before and after dinner this evening, using the Fotor app to reinsert missing text . I also removed a few other things using the 'Magic Eraser' function, which works surprisingly well. Now, we're getting somewhere. I just have to figure out how to ensure that the text is all a uniform font style and maybe figure out a way to add a few bunches of trees to suggest forested areas, Ninja AI is not always entirely cooperative to the tune of "I'm sorry Dave. I can't do that." -- Stokes

The Grand Duchy of Stollen

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